Book 10: The Mirror Crack’d From Side to Side by Agatha Christie

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I’ve finally finished reading another book! It must be the Easter holidays! Joking aside, I’m shocked that I haven’t read a book to the end since February. Luckily, I’ve finished off two that have been on the go since then, and read a third, in the space of one weekend! They were all Agatha Christie related.

So, first up, The Mirror Crack’d from Side to Side. This has one of my favourite titles of a Christie. It refers to The Lady of Shalott, a poem by Tennyson that my mum used to read us because it was King Arthur and Camelot related and we were very into that at the time. As a title, I think I only prefer Why Didn’t they Ask Evans? as far as Dame Agatha’s titles themselves go. [Although, on reflection there are a lot of good ones, for example Sparkling Cyanide, Towards Zero, Ordeal by Innocence, Dead Man’s Folly, Crooked House.]

Anyway, the downside is that Miss Marple is the star of this book. As any followers will know, I am Team Poirot, if there is such a thing. Miss Marple usually annoys me with her old busybody ways. Somehow I ended up quite liking her in this one, but I was mainly drawn in by the plot, which didn’t involve her much. Basically, a vaguely irritating but good person drops dead at a party. Poisoned. (Of course!) Lots of people were there, but it’s hard to find a suspect. In fact, the police believe that the film star actress whose party it was must have been the target. After all, the poison was in her drink that she gave to the victim.

I don’t wish to include spoilers, so let’s move on. Marple investigates from her armchair, fed information by Superintendant Craddock. After much to-ing and fro-ing and more deaths, she comes to a conclusion first. After the juicy nature of the plot, I was somewhat let down by the abruptness and lack of direction in the ending. However, overall this was a good book, a great read and a whodunit that I wasn’t able to solve!

I give The Mirror Crack’d from Side to Side 7/10.

Next up, Spiders Web, adapted by Charles Osborne from Agatha Christie’s play.

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